ISBN 1-256-96292-9 Masters George, William and Miss Harriet Ware with the Aborigine Jamie Ware acrylic on linen. (5) 60.2 50.5cm (Mollie 1940-1950) Following the Mugabe regimes arrest order for non-nationals, the family applied for asylum through the Australian Embassy and relocated to Adelaide in 2006. From the Naabami (Thou shall/will see): I am/we are Barangaroo series Blue Days (1996) is one of a number of works in which Bourgeois suspended, stuffed and shaped her dresses and shirts, sometimes adding abstract sculptural elements like the red glass sphere that operates here like a nucleus around which the new sculptural bodies circulate. Julie Rrap dissects and subverts conventional visions of women in art history, so often depicted as the Madonna. 1934 This portrait of Dr House forms part of the suite, and like Barangaroo, her resilience, cultural authority and fiercely held connection to place continues to inspire many contemporary First Nations women. Estate of the artist, Olive Cotton (Australian, 1911-2003) 2002 Purchased with funds arranged by Loti Smorgon for Contemporary Australian Photography, 2002 The detailed abundance of paint and fecund imagery have something in common with the obssessiveness and at times disturbing subject matter of outsider art, but the deliberate beauty of Barton's work beguiles more than it unsettles. Untitled More lately, she has been enthuse by the Japanesekigurumiculture, whereby men and women just go out in communal dressed as life-size dolls. | a celebration of the genius that enabled certain people to convey profound insights through art. Installation view of the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne showing at left, John Longstaffs The young mother (1891, below); at centre Patricia Piccininis Nest (2006); at second right, a group of four photographs one by each of Jack Cato, Virginie Grange, Olive Cotton and Athol Shmith (see below); and at right Pierre Mukebas Impartiality (2018, above) Courtesy of the copyright holder. Ab/M Its about cutting differences down the centre. Purchased, 1991 5 acrylic, gouache, watercolour and ink on polyester canvas During the same period she joined the National Trust of Australia (NSW), later becoming a member of its council (1961-1976) and executive (1961-1963). National Gallery of Victoria, Melbourne On 7 July 2005 Hicks set out for work as usual; within hours, she was the last living casualty rescued from one of three Underground trains attacked by terrorists in the 7/7 London bombings. Gelatin silver photograph John McMillian and Paul Buhle, eds., The New Left Revisited Shirley Purdie is senior Gija woman and a prominent leader within the Warmup Community in Western Australias East Kimberley. A report of one performance described how she convinced two men to fetch a leg of lamb from the butcher; she then made them think they were dogs and they ate it. My sculpture allows me to re-experience fear, to give it a physicality, so that I am able to hack away at it. By weaving, stitching and sewing Bourgeois threaded the past through the present and enacted, through artistic performance, a process of repair and reconstruction, giving meaning and shape to frustration and suffering. Installation view of Del Kathryn Barton: The Highway is a Disco at the Ian Potter Centre: NGV Australia, 17 November 2017 12 March 2018 featuring a detail from the workcome home to me(2014-2017) These aspects have embodied Bartons perception on the world. National Portrait Gallery, Canberra = 1978) Flugelman taught from 1973 to 1983 at the South Australian School of Art, and from 1984 to 1990 at the University of Wollongong, from which he received an honorary doctorate. She began papercutting during a period when she was without access to a studio, and was subsequently awarded grants that enabled her to study the technique in several centres throughout China. This otherworld is populated by unsmiling, anatomically bizarre characters: one has four breasts; another has sixteen eyes; another has no body at all. National Portrait Gallery, Canberra National Gallery of Victoria, Melbourne Purchased, Victorian Foundation for Living Australian Artists, 2013 The hybrid form of Femme Maison with its dual translations to woman house or housewife appeared in drawings, paintings and sculpture, and in degrees of abstraction and figuration, from the mid 1940s onwards. Artist Del Kathryn Barton Australia 1972 - Details Date 2010 Media category Painting Materials used synthetic polymer paint, gouache, watercolour and pen on polyester canvas Dimensions 2 parts: 240.0 x 359.8 cm overall : a - left panel, 240 x 179.8 cm b - right panel, 2140 x 180 cm Credit 175.2 x 135.2 x 4.3cm Hera Roberts Artist and sitter National Gallery of Victoria, Melbourne Purchased 1999, The grid is a very peaceful thing, because nothing can go wrong everything is complete. Aachen/M Bourgeois became aware at an early age that she was living in a time and social environment in which women and their identities were subordinate to men.As Bourgeois says of the spider (her mother), she was deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, neat and as useful as a spider. Sybil Craig (England 1901 Australia 1909, Australia from 1902) Del Kathryn Barton thought she was psychologically resilient enough to make a film that was informed by a traumatic experience from her own life. Del Kathryn Barton is an Australian painter best known for her whimsical depictions people and animals. The first, Louise Bourgeois: Late Works includes over twenty, key works direct from the late artists studio in New York. Photo: Marcus Bunyan, Nora Heysen (Australian, 1911-2003, lived in England and Italy 1934-1937) I think the surprising part about social work history was viewing those in need as weak and sinful. 2 inside another land 13 (installation view) Installation view of the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne showing Lloyd Rees Portrait of some rocks (1948, below) On the other hand, and more significantly, Beruks drawings represent a profound assertion of pride in his heritage and identity, and the survival of a rich and complex culture in the face of concerted attempts to diminish it. And, yes, its true I lay under her big spider in Tokyo and cried, These are the releases I hope for in our vast world of art. Following the passing of his cousin Simon Wonga in 1874, Beruk became Ngurungaeta (head man) of the Wurundjeri people. Photo: Marcus Bunyan, Installation view of the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne showing at centre on pedestal, Charles Summers Edmund FitzGibbon and Sarah FitzGibbon (1877); at centre background, AA Wojaks Acacius (Stigmata) Tony Carden (1991, below); and at right, Julie Rraps Persona and shadow: Madonna (1984, below) 1980) Charles Dennington (Australian, b. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, I guess every artist has other practices that they aspire to. Del Kathryn Barton: The Highway is a Disco is a survey of new and recent work by the two times Archibald Portrait Prize winner that reveals the breadth of Bartons practice. Albert Namatjira (installation view) Sheet: 111.2 x 80cm Sold. Having just a little bit of humour can take the power out of a serious situation, whether something is happening to you right now, or it happened long ago it lets you be in a little bit of control again, you can get a bit of cheeky revenge. I ground myself through obsessive mark-making. Photo: Marcus Bunyan, Ruth Hollick (Australian, 1883-1977) It is a coming of age work, and living with my daughter whos 12 now, and at that very tender, fierce, vulnerable, complex age, with her changing consciousness around her body and the way that she exists in the world, I feel like theres a lot of her in this work, she tells Guardian Australia. Photo: Marcus Bunyan, Herbert Badham (Australian, 1899-1961) University of North Floridas Coggin College of Business (2) 60.4 50.5cm (Uncle Sam 1910-1920) 1964) Closed Good Friday & Christmas day Book your free Abbi/M 1989 Estate of Herbert Badham 2011 We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. His subsequent public commissions include the untitled copper and ceramic mosaic fountain at Bruce Hall at the Australian National University; Spheres 1977 (known locally as Berts Balls) for the Rundle Street Mall, Adelaide; and the Dobell Memorial 1978 for Martin Place, Sydney. For Bourgeois there is a fatal attraction not towards one or the other, but to the phenomena of copulation I am exasperated by the vision of the copulating couple, and it makes me so furious that I chop their heads [off]. A hostile landscape (installation view) Earthenware, under glaze, wood, steel, plastic and glassMeasurements Gift of the artist 1998. She says that she takes risks and is not good at pre-drawing, and as a result, there are a lot of rejects in her studio. Photo: Marcus Bunyan, Maria Brownrigg (Australian born Ireland 1812-1880, South Africa date unknown c. 1852, Australia from 1852) Uta Uta Tjangala forged a new art form at Papunya during 1971-1972 with startling works such as this one. 152.7 x 127.0cm (image and sheet) Photo: Marcus Bunyan, Installation view of the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne showing at second left, Brenda L. Crofts Matilda (Ngambri) (2020, below);at third right, William Buelow Goulds John Eason (1838); at second right, Augustus Earles Captain Richard Brooks (1826-1827); and at right, Augustus Earles Mrs Richard Brooks (1826-1827) From the My other lives series 2000 [But] we live in an overly anaesthetised society that teaches people to fear pain, to fear chaos and the trauma body fuck, lifes hard man; lifes confusing [rather than] sit in uncomfortable places and remain calm and find magic there.. Lewis Morley OAM (1925-2013), photographer, was born in Hong Kong and went to the United Kingdom with his family at the end of World War 2. She held her first solo exhibition after returning to Sydney in 1956 and the same year became a member of the newly-formed Potters Society with whom she also exhibited. Working for the first time on a discarded scrap of composition board, artists at Papunya rendered visible and permanent ephemeral designs, formerly made only for use in closed and secret ceremonial contexts on bodies, objects or the ground. At the age of 13, Steele was giving his fellow students lessons in drawing. c. 1932 Photo: Marcus Bunyan, Patricia Piccinini (Australian, b. Photo: Marcus Bunyan, In Majority Rule I created staged scenarios that question Australian history and the dominance of those in power. Personally, I would have liked to have seen a greater range of voices expressing themselves in this exhibition. It tells the story of a 12-year-old girl named Blaze who witnesses the rape and murder of a woman. Julie Dowling/Licensed by Copyright Agency, Australia, Julie Dowling (Australian / Badimaya, b. Her break-out modelling assignment came at the age of sixteen, when she walked the runway for Yves Saint Laurent at Paris Fashion Week 2016. Inspired by senior Warmun artists, including her late mother, Madigan Thomas, she began to paint sites and narratives associated with her Country in the early 1990s. Works include Pat Larters Marty 1995, a graphic collage depicting a male sex worker, challenging the ease with which society consumes images of female nudity, and Naomi Hobsons Warrior without a weapon 2019, a photographic series in which the artist challenges stereotypes about Indigenous men from her home community in Coen, by using flowers as a metaphor for male vulnerability. And in regards to her mark making and the meaning attached, she explains: My drawings are made of highly personalised symbologythere is an energetic visual quality in the repetitive pattern. Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this ablest Stating early in his career that the bottom line of my work is coming to terms with my Aboriginality, he continued to engage with questions of cultural and personal identity, interrogating Australias colonial past and postcolonial present through a succession of allusive postmodern works. Kara Walker is an African American artist who gained popularity by manipulating scale of her art work to focus on social issues surrounding gender, race and black history of our era. Permission to reprint these has been obtained by Pearson Custom Publishing for this edition only. In that way, her characters are not so otherworldly after all, but simply representations of a forgotten way of being ourselves. Photo: Marcus Bunyan, Adelaide Perry (Australian 1891-1973) Purchased, 1961. WHO ARE YOU: Australian Portraiture is the first exhibition to comprehensively bring together the rich portrait holdings of both the National Gallery of Victoria, Melbourne, and the National Portrait Gallery, Canberra. But there is also the spiritual or personal journey associated with the symbology within those intricate marks. 1973 Text from the National Portrait Gallerywebsite, Herbert Badham (Australian, 1899-1961) Brenda L. Croft (Australian / Gurindji/Mutpurra, b. Every painter has a certain style of painting, whether it's intentional to paint abstract or unintentional to paint as a modernist. 1888 Roslyn . In this key late work the textured fabric affirms the central relationship of woman with the domestic space. Gift of the artist 2020 })(120000); 76.4 x 92.5cm 76.4 x 92.5cm Purchased 2019 (7) 60.3 50.4cm (Nan 1960-1970) I was born in the late 1950s to a mother who didnt really want to have children, to a mother who was already being beaten up by an abusive husband before she was even married, who lived on a remote, isolated farm in the middle of nowhere. Gallery of Victoria, Melbourne Eric Sandweiss, St. Louis: The Evolution of an American Urban Landscape 12 1/4 x 9 3/4 inches each. Charles Dennington Abbye/M 43.1 x 36.3cm Type C photograph on paper Politics and Culture in Recent America Purportedly French-born, she arrived in Sydney around 1867 and worked as a clairvoyant, making her first stage appearances in 1868. View Even If It Means The End Of You (2010) By Del Kathryn Barton; synthetic polymer paint, watercolour, gouache and ink on polyester canvas; 160.0 x 140.0 cm; Signed; Edition. National Gallery of Victoria, Melbourne Josephine Muntz Adams (Australian, 1862-1950) Purchased, 1997 Gift of Rex Dupain 2003 84.0 124.8cm ablution/MS 1936 (Heide II and Heide III) Del Kathryn Bartons self-portrait depicts her with her son and daughter, Kell and Arella. Tuesday, Wednesday, Sunday, 10am 5pm Inkjet print on paper, ed. 7200 or submit a ticket online by visiting http://help.gcu.edu. Walert gum barerarerungar: Tipperary, Ireland Dunstable, Britain Yorta Yorta Trawlwoolway Boonwurrung, Muttu Mutti, Wamba Wamba (installation view detail) During her time in Pitjantjatjara Country, Dickens photographed Woods as the aware and intelligent cultural leader she was, with dignity and strength. (1) This is a hybrid art, and Bartons idiosyncratic personal style has many mothers, including a lifelong enthusiasm for natureshe was brought up in bushland in the lower Blue Mountains near Sydney. 1990 8th/pt acrylic, gouache, watercolour and ink on polyester canvas National Gallery of Victoria, Melbourne Rona Panangka Rubuntja/Licensed by Copyright Agency, Australia. Private collection, Melbourne Full Service Project Manager: Anandakrishnan 1995, Australia from 2006) National Gallery of Victoria, Melbourne 2001 1950) is the energy Photo: Marcus Bunyan. Oil on canvas Commissioned with funds provided by Marilyn Darling AC 2004 Earthenware The black and white photographs from Simon Obarzaneks 80 Faces series show frontal portraits of teenagers, captured from the shoulders up with a consistent, neutral backdrop. The following year, he won the National Gallery of Australias inaugural National Sculpture Prize with his life-size painted cloisonne enamel figure Human human: Human Human : Lotus Cloisonne Figure 1 (2000-2001). abate/DSRLG She was a childhood friend of Dupains and in 1934 she joined his fledgling photographic studio, where she made her best-known work, Teacup Ballet, in about 1935. Anita ticket seller Louise Bourgeois(French-American, 1911-2010) Purchased, 2017 Boys drawing Bodies flow from the ground, emerging as hot red lines of ink. During World War II she joined a Voluntary Aid Detachment and qualified as a nurse at Sydney Hospital. National Gallery of Victoria, Melbourne National Gallery of Victoria, Melbourne Heide Museum of Modern Art, Melbourne National Gallery of Victoria, Melbourne Gift of the Estate of Nancy Wiseman. 2015 A fine example of these eyes of her children is evident in her 2008-winning portrait for the Archibald Prize. Inspired by the spectacular landforms and vivid colours around his home at the Hermannsuburg Mission in the 1930s, Namatjira fused Western-influenced style of watercolour with unique expressions of traditional sites and sacred knowledge. It stars Julia Savage in the title role, who was 13 when the film was made; and Orange is the New Black star Yael Stone as Hannah, who is raped and murdered in a Sydney laneway. Self-portraiture is a diverse genre: there are myriad ways an artist can present themselves. National Gallery Society of Victoria Century Fund, 1984, Grace Cossington Smith (Australian, 1892-1984) The Easton Foundation, New York, NY. Please reload CAPTCHA. Synthetic polymer paint and ink on paper abnegation/M The following year she featured in the Pirelli calendar, and made 33 appearances at Paris Fashion Week. Self portrait in reflection (installation view) National Portrait Gallery, Canberra Inkjet print (from original tintype, wet plate collodion process) on archival paper, ed. Depicted on the cloak are seven important places, which her ancestors come from: Yorta Yorta Country, Trawlwoolway Country, Boonwurrung Country, Muttu Mutti Country and Wamba Wamba Country, as well as Tiperrary in Ideland, and Dunstable in Britain. Robert Hughes quoted by Annemarie Kiely on the Vogue Living Blog [Online] Cited 28/02/2013 no longer available online, Yes, there are the oft-told stories of the father and the mistress, but it is Bourgeoiss intense love of her mother and her [mothers] death that completely transformed her life The art ultimately became about her never-ending grief and her continuing desire as a woman. Estate of Herbert Badham, Janet Dawson (Australian, b. Playing Blazes caring single father is Simon Baker, baffled about how he can help his daughter cope with what she has witnessed. 1972) In her knowing mashup, the background dots might have migrated from Yayoi Kusamas hallucinatory screens, but she also raids sources including fashion and textiles, Dutch and Italian Renaissance paintings, and the Austrians Gustav Klimt and Egon Schiele. 2000 Photo: Tom Ross, I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. I am left with a heaviness of heart, dealing with the demons of the past that constantly lurk in the memory of childhood, that insistently impinge on the man I am today. Walert gum barerarerungar: Tipperary, Ireland Dunstable, Britain Yorta Yorta Trawlwoolway Boonwurrung, Muttu Mutti, Wamba Wamba (installation view) Lauren This presentation will no doubt offer audiences an unprecedented insight into the genre and its place in Australian art history., Karen Quinlan AM, Director, National Portrait Gallery, said: The NPG is thrilled to work with the NGV on this extensive exploration of Australian portraiture. He died five years after his diagnosis. Abe/M 2001 Another daughter, Caroline (1837-1922, fourth from left), remained unmarried and died at the family property near Dapto in 1922. By combining our respective portraiture collections and curatorial expertise in this area, we have been able to stage the largest thematic portraiture exhibition in the history of either institution. Knife Figure It is widely understood that flowers symbolise female sexuality: their physical resemblance to womens genitalia is coupled with an associative significance in their blooming, which invokes the creation of new life in birth. The wooden conch shell is envisaged by the artist as a boat on which to sail into the darkness of eternity and the vast ocean of the collective-consciousness. The architectural house and its contents especially the table, bed and chair and the familial home and its occupants, were the structures that shaped Bourgeois unstable sense of self, and her relationships with others. Steele attended a college prep school called the Waveland Collegiate Institute. 43.2 x 30.5 x 30.5cm 1972) Collection of the artist There, he was enabled to execute Every Variety of Photographic Portraiture, including Cartes de Viste, Tinted or Fully Colored in Water Colors. National Portrait Gallery, Canberra Acacius (Stigmata) Tony Carden (installation view) Artist utilize scale to manipulate the dimensions of the artwork depict the relative size of objects. The latent power of this magical world is matched by the paintings pulsing surface, an analogue for the vigour of nature: everywhere we see brilliant colour, radiating to the edge of the canvas where it meets, for a moment, the deep blue of starry constellations beyond. 2007 They can learn from the paintings and maybe they want to start painting too. Using richly textured ochres collected on her Country, Purdies work is a kaleidoscope of traditional Gija stories and Ngarranggarni passed down to her. 2003, printed 2004 National Gallery of Victoria, Melbourne Drypoint on 12 sheets of paper, unique state prints on paper Gelatin silver photograph More than anything I hoped to portray a sincere, deep, generous and creative soul.. 1957) Comprised of five panels and over 10 metres in length, sing blood-wings sing is Bartons newest and largest painting to date. I think rage as a motivator can be very powerful but rage alone for me has been caustic. Being able to access her own rage is an amazing gift when so many women cant but also a power to be wielded with a sense of responsibility. abjuration/SM Dr House is renowned for her work in establishing the Aboriginal Legal Service in Queanbeyan and her ongoing support for the Aboriginal Tent Embassy. Louise Bourgeois Trust, Louise Bourgeois(French-American, 1911-2010) Support: 121.5 x 103.0cm Marias eldest son, John (1833-1917, seated, left, at the table), was Examiner of Coalfields in the Illawarra from 1863 and 1865, later becoming Examiner of Coalfields for NSW. Note thatFemme Maison and other artworks are encased in cells. Beruk emerged as a leader at Coranderrk, which developed into a self-sufficient agricultural settlement. inside another land(details) able/U Gelatin silver photograph The title of the work you are what is most beautiful about me alludes to that utterly profound in-loveness that all mothers have for their children. Fibre-tipped pen on paper Barton has long suffered social anxiety, which is at odds with her extroverted nature and her bellowing laugh. Please click on the photographs for a larger version of the image. Watercolour on ivory Purchased with funds donated by the NGV Womens Association, Alan and Mavourneen Cowen, Paula Fox, Ken and Jill Harrison and donors to the John Longstaff Appeal, 2013 Del Kathryn Barton(Australian, b. its not a little love song, 2011 Foley is a renowned Indigenous activist, known for his involvement in the black Power Movement in Australia, which saw the formation of the Aboriginal Legal Service and Medical Service Redfern in the 1970s to counter the problem of police harassment. No title (Nude portrait of woman on beanbag) Become a Partner, Website Copyright Identity becomes mutable through repetition and we observe the man without really looking at him. (9) 60.4 50.5cm (Carol 1980-1990) Text from the National Portrait Gallery, Canberra website Nd [Online] Cited 23/06/2022, Lewis Morley (Hong Kong 125 Australia 2013, England 1945-1971, Australia from 1971) 2020 Del Kathryn Barton, Del Kathryn Barton(Australian, b. Olive Cotton (1911-2003) and Max Dupain OBE (1911-1992) were pioneering modernist photographers. Late Professor of History University of California, Berkeley 1950) Indigenous activist and historian, has written extensively on Indigenous political movements and maintains the Koori History Website, an intensive history archive and education resource. It was gazetted as a permanent reservation in 1881. The task of identity formation is to develop a stable, coherent picture of oneself that includes an integration of ones past and present experiences and a sense of where one is headed in the future.2 But that identity formation, while seeking to be stable, is both multiple and contestatory. Polixeni Papapetrous Magma Man, a photograph which merges sitter and landscape until the two are almost indecipherable, and Shirley Purdies multi-panelled evocation of biography and Country further challenge the conventions of the genre and touch upon the intimate connection between artist, sitter and land. A prominent leader in the Warmun community, her cultural knowledge and artistic skill allow her to pass on Gija stories and language to the younger generations. Other sitters shown in the silhouette are Marias mother, Mrs Thomas Edwards (far left); and her youngest child, William, who died, aged six, in 1851. The second exhibition, Louise Bourgeois and Australian Artists presents a selection of works by contemporary Australian artists who have been inspired by Bourgeois alongside prints and drawings from her vast graphic oeuvre. Paintings have been rejected due to disqualification in it not being a real person or other methods and tools. National Portrait Gallery, Canberra He had numerous solo exhibitions and was represented in many travelling exhibitions within Australia and overseas. Oil on canvas Why do the curators feel the need to include so much Indigenous work? Private collection, Austria I was really pleased because it related to and reflected on my life work as a paediatrician.. Lewis Morley Archive LLC. Lisa Rinaldi Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Doc ID: 1009-0001-191D-0000191E Some features and content may not be visible. Abdul/M It struck me that the inclusion of so much (historical) white art and so much contemporary Aboriginal art formed a rather limited framework in which to examine who are you. At nine metres long, the heart land is one of Bartons most ambitious paintings. 1956) 1972) Photo: Marcus Bunyan, Bert Flugelman (Australian born Austria, 1923-2013, Australia from 1938) Beruk (William Barak) (1824-1903), an elder of the Wurundjeri clan of the Woi-worung, was the most famous Aboriginal person in Victoria in the 1890s. False Evidence Appearing Real (installation view) 35.6 38.1 66 cm 1973, printed c. 1977-1978 I almost want to protect him from that experience, I suppose, she muses. Del Kathryn Barton, Del Kathryn Barton(Australian, b. Winners action held widespread attention across Australian media and called to action the ongoing issues of racism in Australian sport. 4/5 + 3 A/P Following Francis MacKenzies death, his widow, Maria (1810-1874, third from left) emigrated to Australia with her five children. Albert Namatjira was a descendant of the Western Arrant people of the Northern Territory. In 1933 she established the Adelaide Perry School of Art. 2005 Born on December 11, 1972 in Sydney, Australia . Aboriginal and Torres Strait Islander people represented 3.2% of the population.6. I Split Your Gaze Matilda (Ngambri) (installation view detail) Collection of Leonard Warson, Melbourne Text from the National Gallery of Victoria website.
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